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All posts tagged Moral

Moral Choices: An Introduction to Ethics, 4th Edition


Moral Choices: An Introduction to Ethics by Scott Rae
2018 | ISBN: 0310536421 | English | 528 pages | PDF/EPUB | 8 MB/2 MB

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The Times, Life and Moral Dilemma of Beria


The Times, Life and Moral Dilemma of Beria by Andrew Sangster
English | March 5th, 2019 | ISBN: 1527528057 | 336 pages | PDF | 3.36 MB

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The Moral of the Story: An Introduction to Ethics, 8th Edition


The Moral of the Story: An Introduction to Ethics, 8th Edition by Nina Rosenstand
English | 2018 | ISBN: 1259907961 | PDF | 800 pages | 37 MB

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The Moral of the Story: An Introduction to Ethics, 8th Edition


The Moral of the Story: An Introduction to Ethics, 8th Edition by Nina Rosenstand
English | May 25, 2017 | ISBN: 1259907961 | EPUB | 800 pages | 8.4 MB

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Uprising of the Fools: Pilgrimage as Moral Protest in Contemporary India


Uprising of the Fools: Pilgrimage as Moral Protest in Contemporary India (South Asia in Motion) by Vikash Singh
2017 | ISBN: 1503601676, 1503600378 | English | 256 pages | EPUB | 4 MB

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The Moral Psychology of Anger


The Moral Psychology of Anger (Moral Psychology of the Emotions) by Myisha Cherry, Owen Flanagan
2017 | ISBN: 1786600757, 1786600765 | English | 212 pages | PDF | 1 MB/0.6 MB

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Art and Authority: Moral Rights and Meaning in Contemporary Visual Art


Art and Authority: Moral Rights and Meaning in Contemporary Visual Art by K. E. Gover
English | February 1, 2018 | ISBN: 0198768699 | PDF | 224 pages | 9.9 MB

People engage with authored works all the time. They buy paintings, read books, and download songs. They might even be artists themselves. And yet they tend to take the concept of authorship for granted. The basic idea that an artist as author maintains some kind of claim to his creation, even as it circulates in the world at large, seems natural. It is the basis for copyright law and moral rights legislation which protect the rights of authors. But what is an author, and why do artists receive special legal recognition and protection that the creators of other kinds of artifacts do not? It is often assumed that artists have a special bond with their artworks, but the nature of this bond, and its function as the source of an artist’s authority over his work, often goes unquestioned.

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